Monday, 15 June 2009

Jason Delgado Script for Tarantino looking movie.

Ext. Scene - Car three characters

Three 17 year old [males], TOny is sitting at the driver seat of the car, el cesar is sitting in the hood and riely is lying on one side. Stereotypical characters, italoamerican, cuban and the “black guy”.


Toni

Dialog. So Now we wait

El Cesar

(Cubanly)

Ok, wey, but I have to to take a leak

Riely

C’mon when is this shorty coming

Fade to black

RICH HOUSE, Jamie is a baby looking boy, about 17 year old, problems with family, thinks he hates his family because his father is never around and his mother is dictatorial. Leaving his house

INTERIOR

Jamie {Shouting}

I’m Leaving Mom!

Jamie’s mom {Shouting from upper floor}

Where are you going James?

JAMIE

I’m meeting some friends, be back for dinner.

Jamie’s mom

Which friends?

JAMIE

You don’t know them, Bye!


{Indistinct shouting From Mother}

Ext. Scene - Car three characters


Jamie arrives to the meeting point, he is reserved and tries to fit in with the gang.

jameie

Sorry I’m Late

{El Cesar returns}


Tony

You don’t leave us waiting


EL CESAR

Yes, don’t screw it up amigo ok? .

Riely

Heard on the hood that you have some interesting in the stove for us bro.

EL Cesar

Lets get going cabrones, we have some business to do.

Riely

Yes, Lets get craking, I could use a beer

TONY {Turns the car on and as he shift into gear, fail and stall. Second tray gents the car moving} MMMMM


FADE TO BLACK

CAFE, DARK PLACE SMOKE EVERYWHERE, IDEALLY ROUND TABLE, PEOPLE TALKING AND DRINKING COFFEE.


TONY

Ok mates, we need to get this thing moving, Jamie, what is this business you have to offer?


Jamie

Ok, so as you might know, my father is Jason Delgado, the banker.


Riley

So, you are loaded white boy.


Jamie

Well yes not me, but my father is.


TONY

So what is in there for us? You don’t need no money.



jamie

The thing is that he is a cheap bastard and he’s never around, and never passes me a dime


EL CESAR

Whay about your mom?


JAMIE

She’s just stupid, no worry



RIELY

No worry about what white boy? You haven’t told us anything yet.

JAMIE

Thats true, and I apologise, the thing is that I’m running short on cash and I need some. So, last week the safety’s key got stuck, so all of the jewels are just there in a drawer waiting for someone to take that. O, here is the waitress.

EL CESAR

Cheka esta senorita brothers.

WAITRESS

Hi guys, what are you going to have?

TONY

I’ll have a Scotch in the rocks please.

Riely

I’ll have a beer

EL CESAR

Make that 2

JAMIE

I’ll have a lime water please.

WAITRESS

I’ll have to see some ID please.

TONY

MMM, I’ll just have a coke

RIELY

Ill have a Cold Cappuccino lady

EL CESAR

I’ll have a Virgin Cuba Libre senorita.

WAITRES

OK, so it’s 2 cokes, one frappuccino and one water.

TONY

Yes, whatever.

JAMIE

What a PEEEP, no guys?

EL CESAR

Watch that language, there’s ladies in the room.

JAMIE (LAUGHING)

Screw’em

EL CESAR

Screw you hombre!

RIELY

Hey homies! Relax

EL CESAR

And screw you blanquito.

RIELY

What was that again?

TONY

Would you dorks just shut up! There’s business to do.

{Huming form everyone}




EL CESAR (Breaking the Ice)

So what do you need us for, you can just take it and sell it yourself.

JAMIE

No way, I'll be the first suspect. So i need you to brake in the house and make it look like just another brake in.

TONY

How much do you think the whole thing would be made into cash?

RIELY

(Interrupting)Yes, lets talk about numbers bro.

TONY

Riely, let him talk.

JAMIE

About 50 grand, or more.

{Faces}

TONY

So, what’s your price

JAMIE

What do you mean?

TONY

Your fee genius, how much do you want, you do think we do stuff for free right?


JAMIE

I was thinking you could keep, i don’t know, 5 10 percent maybe.

{RIELY + EL CESAR START TO TALK IRRITATED}

TONY

SHHHH let me talk. We've known each other many years, but this is the first time you ever came to me for counsel or for help. I can't remember the last time that you invited me to your house for a cup of coffee, you never wanted my friendship.

JAMIE

It’s just....

EL CESAR

Let the man Talk.

TONY

I understand, you have a good living and you didn't needed friends like us,But, uh, now you come to me, and you say: "Don TONY, give me justice." But you don't ask with respect. You don't offer friendship. You don't even think to call me Godfather. Instead, you come into my house on the day my daughter is to be married, and you ask me to do murder for money.

JAMIE

What daughter? Murder Who? What are you talking about?



RIELY

Isn’t that like the opening form The Godfather two?

EL CESAR

No, i think its from the third one

TONY

It’s form the first one actually, but that’s nothing to do with this, Im trying to make a point here.

RIELY

Which one is it? I got no shit from all of that jaba waba.

TONY

Its 70 percent for us, you can keep the rest

JAMIE

Make it 60

EL CESAR

65

JAMIE

Deal

EL CESAR

You could have just said that from the beginning, couldn’t you Tony?

TONY

You guys are so un-professional


FADE OUT TO CAr

Ext. Scene - Car four characters

TONY

So, when?

JAMIE

Tomorrow night my daddy is leaving with my mom at 11 pm.

EL CESAR

Hombre, then you’ll open the door at eleven o five

JAMIE

That should be all-right.


Ext. Scene - HOUSE NIGHT

{CAR LEAVES}


EL CESAR

That’s us guys.

{CAR WITH LIGHTS OFF GETS NEAR THE HOUSE}


EXT. SCENE - DOOR

TONY

Be quiet

{EL CESAR TRIES TO OPEN THE DOOR, BUT ITS LOCKED}

EL CESAR

It’s locked guys, the shortie told us off!

RIELY

Don’t go all hysterical girls, i guess its just to make it look more real, for the inssurance or stuff like that.

SONY

Wait here, I've got a crowbar in the car.

{OPENS THE DOOR}

INTERIOR - HOUSE DARK NIGHT

EL CESAR

I’ve got a bad feeling hermanos.

RIELY

Keep it cool, its gonna be allright

TONY

JACKPOT!!!!!!!

EL CESAR

Chingado, mira esto hombre.

RIELY (acting all black)

O yea bro, thats what I call bling

TONY

Ok, lets get going

RIELY

Wait, there’s some computers and stuff here

EL CESAR

O, yea

TONY

I’ll open the trunk, be right back


[AS EL CESAR AND RIELY ARE TAKING A COMPUTER, LIGHTS COME ON, THE POLICE IS THERE]

[EVERYONE STARTS RUNNING]


CREDITS

Wednesday, 3 June 2009

Jackie's interview

This is an interview made to Jackie Rubinstein.



Favourite film of all times:

Titanic

Why?

I don’t know,,,,,, first of all because there is “true love”, and I love this things, I never analysed it deeply, as i was just a kid, and I used just to watch it, not think to much about it. 


Non Hollywoodian Movies ive seen:


“A French one, i cant remember the name, well. I've seen some European movies, because of my dad” “Didn’t like them so much.


Favorite Actor:

Heath Leadger, Leonardo Di Caprio, 


Favorite Actress:

Cameron Diaz, 


How do you feel about Mel Gibson?

“Good, i like him, he is cool”


Bour Identity or James Bond?


James Bond


Movies pre 1960:


None that I can think of right now.


Favourite.....


Cartoon Movie:  “Little Mermaid”


TeenFlik: Twiligh


NonTeenflik: 


Favorite cinema: Hoyts Unicenter


Home DVD or cinema: Home


Popcorn or M&Ms: Popcorn



Last film you’ve creid in:

The notebook


Recommendations for a teenflick:


“It must be interesting, it mustn’t be serious, non old people stuff, well, a bit, but not so much, come on! I like love movies, so, well.”


Action or Sci Fi: 

Action



Thank you Jackie.

Location Manager

According to wikipedia, "The Location Manager is responsible for the finding and securing locations to be used and coordinating the logistics involved for the production to successfully complete its necessary work. They are also the face of the production to the community and responsible for addressing the issues that may arise due to the production's impact on the community." "The Location Manager typically is also the primary Location Scout for a film. They usually oversee several other scouts and assistant managers during the course of a show. A location manager will commonly work closely with the director and theproduction designer during preproduction to find and secure their expressed creative vision. The manager is also responsible for public relations at the locations used and the safety of the crew during filming.

A Location Scout is responsible for the initial scouting of all the locations used in a film and translates the writer and director’s vision for the look of the scene into a viable and appropriate location. An experienced Location Scout will take into account all the logistics necessary for the production to adequately work."

So, its the guy that gets the places to shoot the film. Kind of a travel agent for film productions.